To the Funhouse PDF
By:Verena V. Schowengerdt-Kuzmany
Published on 2014 by
Like Max Aurach, Jacques Austerlitz is a composite character whose experiences derive from genuine traumatic memories of survivors, an act of borrowing at odds with playful postmodern techniques of composition. My project analyzes whether Sebald's use of Holocaust memoirs is ethical and arrives at the conclusion that he deliberately engages with the themes of appropriation and falsification by playfully transfiguring them into a formal, semantic, and literary metaphor. Austerlitz and |Ambros Adelwarth| comment on inadequate and derivative processes of remembering and demonstrate that historiography is an undertaking that necessarily contains lacunae and errors. In this chapter I also analyze intertexts by Walter Benjamin and Vladimir Nabokov, among others, and films by Orson Welles and Fritz Lang, and suggest that a carnivalesque reading of Austerlitz and Die Ausgewanderten is best suited for taking account of the provocative disruptions these texts create.
This Book was ranked at 32 by Google Books for keyword Arts Literature Artists Architects Photographers Biographies Memoirs.
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